“Good afternoon, Mrs. Johnson. I
understand you have a textile article you wish to be valued?”
Jenna had been surprised by how quickly the auctioneer’s expert had been
able to see her. A week after
May’s funeral, she had taken the brief train journey to St. Pancras, and then,
mindful of her precious burden, the luxury of a taxi to the West End. She had arrived rather early at the auction
house, and had spent a nervous five minutes with a glossy catalogue of English
watercolours on her knees in the reception area, wondering if she was going to
make a complete fool of herself. Perhaps
her mother had got it wrong, and the casket was only worth a few hundred
pounds. She could imagine the disdainful
look on the expert’s face as he explained that these objects were very common,
and hers not even a particularly good example.
And she realised that part of her would glad if that were the verdict,
because the responsibility of ownership would be so much less, and she could
enjoy the casket for its own sake again.
A young woman had appeared, dressed in a well-cut blouse and pencil
skirt, her hair tied back neatly in a chignon.
She looked barely older than Rosie, but to Jenna’s surprise she
introduced herself. “I’m Emma James, and
I specialise in English needlework and textiles. Did you have a good journey from – St.
Albans, wasn’t it? Would you like a cup
of tea or coffee? I’ll organise a pot
for both of us and then I can have a good look at what you’ve brought, and tell
you as much as I can.”
Her office was bright and pleasant, with a windowsill full of thriving
green plants, and shelves of books on all aspects of embroidery, tapestry and
related crafts. Wishing her palms were
not so sweaty, Jenna put the casket’s wooden case on the desk between them, and
sat down in the comfortable leather armchair, suddenly longing for the promised
cup of tea.
Emma James looked at the box with interest. She examined it closely, turning it round and
tilting it to look underneath. Then she
glanced up at Jenna. “Can I ask – how
long have you had this?”
“Only a few weeks. I inherited it
from my grandmother. She told me that
it’s been in the family for many generations, passed down from mother to
daughter. I would love to know more
about it – how old it is, whether it has any value, that sort of thing. To be honest, I’m not planning to sell it.”
“Well, the box looks seventeenth century, I can tell you that much. Probably made of oak, with brass lock and
fittings.” She smiled at Jenna. “Shall I open it? I have a lovely feeling I know what might be inside.”
Jenna watched as she lifted the lid and stared down at what lay
within. She would be looking at the lady
and gentleman on the top face, with the tree between them sewn with tiny beads
to represent fruit, and the initials M J.
Her expression, unguarded, was one of surprise and delight. Then she slipped on a pair of clean cotton
gloves, and drew the casket out of its case.
There was a small silence as the two women gazed at it. In this bright modern room, it seemed to glow
with its own light. At last, Emma James
sat back in her chair and said simply, “Wow.
Not very professional, I know, but just ... wow. I don’t think I’ve ever seen one so
beautifully made, or in such brilliant condition. And you inherited it? Lucky you.”
“Thank you,” Jenna said, amazed.
“I mean – I’ve always loved it, I’ve always thought it was special, but
to hear someone else, an expert, say it too ... “ Suddenly overcome anew with grief for May,
she blinked back tears. “I wish my
grandmother could hear you. She loved it
too.”
“I can tell that she did, it’s been looked after so well. I love things like this that have been
cherished and cared for and handed down the generations – they’re like voices
from the past, speaking to us.” Gently,
she began opening doors, taking out drawers, examining the stitching with a
magnifying glass. Jenna was glad that
she had remembered to remove the little torn heart admitting her love for Simon
Berry. She watched Emma James explore
the secret sections, and waited for her to discover the casket’s most wonderful
surprise of all.
At last, she lifted the second lid, above the main compartment, and Jenna
could tell that she was stunned. Neatly
fitted into the small space was a garden, with flowers, trees and grass, all
worked in three dimensions and standing free.
In the centre was a tiny fountain, with a lady sitting beside it, and a
unicorn resting its head in her lap.
Obedient to her grandmother’s command, Jenna had never played with it,
as such: it had been enough to look, and to make up stories about it, and
sometimes to draw it, though she had never managed more than a hamfisted
depiction that bore little relation to the real thing.
“It lifts out,” she said. “There’s
a very slim space underneath, I suppose for letters or things like that.” She watched as Emma removed the garden, and
laid it reverently on her desk beside the drawers. It was obvious that the specialist was
considerably moved, and for the first time she realised that the casket, that
had always seemed so special and precious to her and to May, was also very
remarkable even to this expert who must have seen dozens of examples in her
career.
Finally, Emma James set down the magnifying glass, put everything back
with care, and removed her gloves. She
gazed at the casket for a moment longer, while to Jenna the silence within the
room seemed huge with unsaid, unforeseen consequences. If it
is really valuable, what do I do with it?
Do I want the responsibility of caring for it? Will I have to keep it locked away in a bank? How can I justify not selling it? She didn’t want to keep it imprisoned in a
safe. It was as if by doing that, she
would be accepting that its worth was only financial, denying the value of a
cherished object that had been passed down, mother to daughter, through perhaps
a dozen generations.
“Right.” Emma James seemed to pull
her thoughts together, and her tone became more business like. “First of all, Mrs. Johnson, can I say how
very, very glad I am that you’ve brought this in for me to look at? Your casket is far and away the best example
of its kind that I’ve ever seen – and I’ve seen quite a few, in private
collections, auctions and museums all over the world. It’s the sort of thing that people love to
have, it’s in extremely good condition, it even has its original case. And then there’s the 3-D garden. Did you know that there are only a few others
like that in existence? They’re
extremely rare. The Queen has one, the
V&A has another, and one was sold at Christie’s a few years ago for more
than thirty-five thousand pounds.”
Thirty-five thousand pounds. The
one on the Antiques Roadshow, that had so impressed Patricia, had been valued
at a mere eight thousand. Jenna said,
her voice sounding hoarse, “I – I didn’t think it’d be worth nearly as much as
that.”
“Oh, it’s worth more,” Emma James said, with absolute certainty. “Considerably more, I would say. I can think of quite a few collectors of
English embroidery who would love to have this, not to mention several museums. I can see it fetching about fifty thousand at
auction.”
“But ... the one my mother saw on the Antiques Roadshow last year was
only valued at eight thousand.”
“Yes, I know that one. In fact,
the owner sent it for auction with us in the autumn. It went for just over nine, in fact. But this one is far superior. It has the case, for a start, and it’s in
much better condition. There doesn’t
seem to be anything missing – the other one had lost a couple of drawers, and
it needed a lot of conservation. Yours
is pretty much perfect, almost as good as when it was made. The standard of embroidery is much higher,
too. Whoever made this was an extremely
skilled needlewoman. And finally,
there’s the tray with the garden on it, which makes it totally unique. Yes, there are a lot of people who’d love to
add it to their collections.” She smiled
at Jenna. “Thank you so much for
bringing to me. I feel very privileged. Shall I ask Becca to bring in some more
tea? You look as though you could do
with it.”
“Yes, please,” Jenna said, her voice sounding faint in her own ears. “I’m sorry – this has all come as a bit of a
surprise.”
“But you must have known it was valuable, surely.”
“Not as valuable as that. I think
... ” She struggled to find the words to
explain, then went on. “I think that
when something is so familiar, when it’s always been part of your life, it’s
actually quite hard to think of it as being worth a lot of money, somehow.” She smiled
wryly. “I promised my grandmother,
before she died, that I wouldn’t sell it.
And I still don’t want to sell it.
I think it’s wonderful that her mother passed it to her, and her mother
before that, down through all the mothers and daughters for centuries, and I
don’t want to break that chain. I have a
daughter, and I thought that one day I’d like to leave it to her. But knowing now that it’s worth so much – it
seems suddenly to be a huge responsibility.”
“I do understand. If it were mine,
I’d feel the same, I think. Becca,” she
said into the intercom, “can you bring us some more tea? Thank you.”
“And I feel a little bit, too, as though I’ve brought it here under false
pretences,” Jenna went on. She liked
Emma James, and wanted to be honest with her.
“I expect you’d love to auction it, and I came here knowing that I
didn’t want to do that.”
“You said on the telephone, I believe, that you wanted a valuation for
insurance purposes. And that’s what I’m
quite happy to give you. What you decide
to do with the casket is entirely up to you.
I really don’t want you to feel under any pressure. It’s yours, it’s very special, and only you
can choose whether you keep it, or sell it, or – and this is a possibility that
might not have occurred to you, but which you may want to consider – or lend it
to a museum. That way, it will still be
yours, to leave to your daughter, if that’s what you and she want, but in the
meantime you’ll know it’s safe, and looked after, and also that other people
can look at it and study it and get the same pleasure from it as you do. This is a treasure of national, if not
international, importance.”
Jenna thought about her words as Emma put the casket back in its case,
while the receptionist brought in fresh tea, and a plate of chocolate biscuits. It might be a solution that solved all the
problems. But she was not ready, yet, to
relinquish her inheritance, not until she had had the chance to enjoy it, and
to share it properly with her family.
She realised, with a stab of guilt, that the only person who knew that
the casket was in her possession was her mother. She hadn’t even told Rick or the children
that May had left it to her, rather than to Patricia. That was something that she must rectify as
soon as her husband returned from New York.
Thinking of her other promise to May, she said, “Can you tell me how old
it is? And who was likely to have made
it? Who MJ might have been?”
Emma James considered. “Well, to
answer your first question – it was probably made some time in the second half
of the seventeenth century. You can tell
that from the stitches that were used, the costumes that the figures are
wearing, and the fact that all the other caskets we know of that are dated,
were made around that time. They were
very fashionable for about thirty or forty years. The V&A have a beautiful one made by a
girl called Martha Edlin. She kept all
her needlework and trinkets in the box, and they’ve survived too. It’s a lovely thing, and its condition is as
good as this one, though it doesn’t have the garden inside.”
“Did she put her initials on the lid, like the maker of mine did?”
“Yes, but she also kept a sampler she’d worked when she was younger, and that
had her actual name on. Her life has
been researched, and she was about eleven when she made it.”
Jenna stared at her in astonishment.
“Eleven? She was eleven? Would a child have made mine, too?”
“Almost certainly.”
“But that’s absolutely incredible.”
“I know. When I think of the sort of stuff I used to
produce in sewing classes at school, when I was that age, I feel ... well, I
feel humble.” Emma smiled. “But it was a very important part of a young
girl’s education then, as much as reading or writing. She’d have started learning to sew when she
was very young, perhaps as young as three or four. All girls did, not just the wealthy ones. But obviously, a casket like this would only
have been made by a girl from a well-off family. It was her masterpiece, if you like – the
proof that she’d achieved the highest level of skill. She would have started off with a sampler,
practising all the various stitches, and then graduated to other small pieces. Martha Edlin made a pincushion and a needle
holder, and a couple of years after she’d finished her casket, she made a
gorgeous bead jewellery case. And
obviously, her children and grandchildren cherished them all, and kept them in
the family for three hundred years. Just
as your family did.”
“Eleven,” Jenna repeated. She thought of her own mother, struggling to
teach her the basics of cross-stitch, and the limp, grubby result. “I can’t quite believe it.”
“There are quite a few other
named and dated caskets and samplers also made by children. English embroidery has been famous for over a
thousand years, since Anglo-Saxon times in fact. And if you want to be really good at
something, it pays to start young.”
“So – how were the caskets
made? I’m presuming that the girls
didn’t make the actual box.”
“No,” Emma told her. “She would have made careful designs first,
though, and measured the base material out so it was the right size. Your casket has nearly 20 separate panels,
all different. I’d need to study them
more closely to decide whether they’re illustrating any story from the Bible,
or a Greek myth. Martha Edlin’s figures
illustrated the Seven Virtues, and I’ve also seen ones with the Five
Senses. She’d have got the detailed
designs from a pattern book, and traced or copied them. She may have made some of the more
complicated figures separately and then appliquéd them on. Then, when all the panels were finished,
they’d be sent to a cabinet maker who would construct the casket and glue the
embroidery on. There’s marbled paper,
too, on the undersides of the drawers, and the pink satin lining inside, and
the mirror – a great deal of work has gone into it, and only a wealthy family
could afford such a thing.”
“But my family are quite ordinary. My grandmother never had much money.”
“Well, there must be many
generations between her and the girl who made the casket. Social mobility works downwards as well as
up.”
“It’s a wonder, really,” Jenna
said thoughtfully, “that the casket was never sold. They must have known that it was valuable,
surely.”
Emma shook her head. “Who knows?
But how fortunate that they didn’t.
Because I don’t think anyone other than the family of the girl who made
it, would have looked after it so well, or cherished it for so long. Do you really have no idea about who might
have made it? Are there any stories
handed down?”
“No, nothing at all. And I promised my grandmother that I’d try to
find out. The only thing I have to go on
are the initials on the top – M J. And
there must have been thousands of girls with those initials.” She grinned.
“Mary Jones. Martha Johnson. Margaret Jefferies. Not a lot of help, really.”
“Well, you can narrow it down a
little. A girl from a wealthy or even an
aristocratic family, born around 1660 or 1670, almost certainly in England.”
“Only half a dozen to choose
from, then,” said Jenna, and they both laughed.
They arranged that Emma would
keep the casket for a week to make a full study of it, and record and
photograph it in detail. Jenna signed
the authorisation forms and the receipt, and thanked her for her time and
trouble.
“Trouble? It’ll be an absolute pleasure. I can’t wait to start. You may hear from me in less than a week,
because I warn you, once I get cracking on something like this, it’d take an
earthquake to distract me. And thank
you, once again, Mrs. Johnson – “
“Please, it’s Jenna.”
“Thank you so much, Jenna, for
giving me the opportunity to study your casket.
It’s a privilege, truly it is.
And good luck with tracking down its maker!”
It seemed strange to be going
home without her precious burden. She
took the tube and nearly missed her stop, because her mind was fizzing with
excitement and questions, to which there might never be any answers. When she got to St. Albans, it was raining,
but she walked the mile home almost without noticing it, and arrived wet,
chilled but exhilarated.
The smell of burning brought her
straight back down to earth. The twins
were in the kitchen, examining a rather charred pizza, and looked up guiltily
as she walked in. “Oh, hi, Ma,” said Tom. “We didn’t think you’d be back till later, so
we thought we’d have tea before we went out.”
“It’s our farewell night,” Joe
explained. “We’re all meeting up later
at the Horn, Ryan’s band are playing.”
“Farewell night?” said Jenna,
keeping her voice cheerful despite the pang the words caused her. “But you’re not going till next Wednesday.”
“It’s Friday today,” Joe said,
adopting the condescending tone indicating that she was a Mother of Very Little
Brain Who Needed Everything Spelt Out No Matter How Obvious. “It’ll give us the whole weekend to recover.”
There wasn’t much that Jenna
felt she could say in response, so she asked instead, “What happened to the
pizza?”
“Oh, I forgot it was on,” Tom
told her airily. “We were having a
kick-about in the garden.”
“The smoke alarm went off,”
added Rosie, coming in with a smug smile.
“You’ll just have to put another one in.”
“That was the only one left in
the freezer.”
“I’ve got a suggestion,” Jenna
said. “How about we phone up Dominos and
order one each? I don’t fancy cooking,
and we’ve got something to celebrate.
No, I’m not going to tell you yet.
Let’s wait until we’re eating.”
Of course she still had to tell
Rick about it, but that, surely, could wait.
She couldn’t, though – the news was still so fresh and exciting that she
felt she had to share it with somebody, and who better than her children,
including the daughter who might one day possess the casket in her turn?
The pizzas arrived, delivered by
a boy on a moped who looked as if he should still be at primary school, and
Jenna heaped them on the kitchen table for the vultures. She had thrown together a bowl of salad and
another of tomatoes, as a concession to healthy eating, rather cancelled out by
the bottles of calorific salad dressing and mayonnaise that Joe had retrieved
from the cupboard. They all sat down,
and Tom said, round a mouthful of pizza, “Go on, Ma, spill. What have we got to celebrate?”
“Apart from you going off to
Australia and leaving us in peace? I’ll
tell you. Do you remember Great-Nan’s
casket?”
“It had a bunch of flowers on it
that looked like her hat,” said Joe, who had a black and irreverent sense of
humour.
“No! Idiot,” added Jenna affectionately, thinking
that, annoying as he could be, she would miss both of them intensely once they
had gone. “I mean her embroidered
casket. The heirloom.”
“Oh, I remember it,” said Rosie
at once. “I used to love looking at it
when I was little, and I used to make up stories about the people on it, and the
person who made it. Oh, I love
pepperoni,” she added, helping herself to a third piece, “but it must have a
zillion calories!”
“You really don’t need to watch
your weight,” said Jenna. Rosie still
had the boyish figure of adolescence, unlike her friend India, who was forever
dieting. “The opposite, in fact. Eat up before those two gannets grab the
lot. Do they have Dominos in Australia?”
“You can get pizza delivered all
over the world,” said Tom.
“It’d be stone cold by the time
they’d got it to Sydney, though,” Joe pointed out with a grin. The twins guffawed, nudging each other, and
then took another slice each. In five
minutes, most of their pizzas had vanished, and they were eyeing Jenna’s, even
though it had extra mushrooms.
Pointedly, she transferred most of it from the box to her plate.
“Anyway, what about the casket?”
Tom enquired.
“Great-Nan left it to me.”
“To you and not to Granny?”
Rosie asked, cutting straight to the heart of the issue.
“Bet Granny didn’t like that
much.”
“Joe!”
He grinned at her. “I bet she didn’t, though.”
“That’s neither here nor there,”
said Jenna, feeling that control of the conversation was beginning to slip from
her grasp, as it usually did with Joe.
“Anyway, she left it to me, and today I took it up to one of the big
London auction houses to get it valued.”
“And?” Rosie’s blue eyes were shining as she poured
blue cheese dressing over her salad.
“Was it worth lots?”
“Quite a lot. Around fifty thousand pounds, probably.”
Tom choked over his pizza. “Fifty thousand? That’s amazing! Are you going to sell it, then?”
“Yeah, sell it and then we can
all share the money.”
“Joe, I’m not going to sell
it. I promised Great-Nan I
wouldn’t. It’s been passed down from
mother to daughter for hundreds of years, and I really don’t want to break that
chain.”
“Well, when you croak we’ll get
it anyway, so why not save time and sell it now?” Joe was grinning, needling her. The difference between her and Rick was that
she knew it was a joke: her husband often took his elder son at face value, sometimes
with unfortunate consequences.
“It’s passed down from mother to
daughter,” Rosie pointed out. “And last
time I looked you weren’t a girl. Unless
you’ve had a sex change since this morning?”
“Just call me Joanna.” Joe fluttered his unfairly long eyelashes and
preened himself.
“You’d do anything – for the casket – anything!”
Tom warbled, and got a punch on the arm for his pains.
“I didn’t know you knew Oliver!”
said Jenna, diverted despite herself.
“There’s a lot you don’t know about me, Ma,” Tom said. “Oi, pig, that’s my last slice!”
“Tough,” said his twin, cramming it into his mouth. “Come on, let’s go, Ryan’s on first. You coming, little Rosie?”
“I’m going round to Indy’s.
Anyway, I’ve lost my earplugs.”
Rosie, brought up with two boisterous older brothers, could always give
as good as she got. The twins shot upstairs, there was much
thudding about and a poisonous waft of deodorant spray before they crashed back
down, shouted “Bye Ma!” and were gone.
In the blissful peace and quiet, Rosie helped her clear up. “So what are you going to do with the casket,
Mum?” she asked, loading the dishwasher.
Jenna emptied the remains of the salad into a plastic box and put it in
the fridge. “At the moment, it’s still with
the auction house – the expert is studying it, and hopefully she can tell me
more about it. Did you know that
embroidery like that would probably have been made by an eleven or twelve
year-old girl?”
“No way! Really? Wow.
That’s amazing. But you’re not
going to sell it, are you?”
“No, definitely not. That’s why
Great-Nan left it to me, because I promised her I wouldn’t.”
“And Granny would?”
“People are different,” said Jenna awkwardly. “Granny doesn’t feel quite the same about it
as I do.”
Rosie gathered up all the pizza boxes and took them out to the recycling
bin in the utility room. She said,
“Well, I like the thought that it’s been passed down all those years, mother to
daughter. Who was the girl who made it?”
“I’ve no idea, other than that her initials were MJ. But I promised Great-Nan I’d try to find
out.”
“I’m nearly MJ – Rosie Martha
Johnson. How would you find out? There must have been loads of girls with
those initials.”
“I know. And I’ve no idea where to
start, really.”
“Start at the end. With us,” said
Rosie. “And go back. Amy Barlow’s mum did that on the computer in
the library and she found they were related to Gary. Like, about ninth cousin five times removed
or something, but still related.” She
giggled, and suddenly her expression bore a strong resemblance to Joe’s at his
most infuriating. “So she comes in and
tells us all, like, that she’s Gary Barlow’s cousin, and I said, ‘Who’s Gary
Barlow?’ And she didn’t speak to me for
a week. Perhaps you’ll find out we’re
related to someone really
important.” She gave her mother a sly
sideways glance. “Like Harry Styles?”
Jenna laughed. “I doubt it. We’re bog standard ordinary. Granny and Great-Nan lived in a council
house.”
“But whoever made the casket wasn’t ordinary. She was special.”
“And wealthy,” said Jenna, remembering what Emma James had said. “Only a girl from a well-off family could
have afforded something like that. Her
initials are worked in pearls, and there’s silver braid round the edges.”
“And it really is worth fifty thousand pounds? Really?”
“Really, honestly and truthfully.
Cross my heart and hope to die.”
“Oh, Mum,” said Rosie, with amusement.
“Sometimes you sound like you’re in an Enid Blyton book.”
“That’s because I read Enid Blyton when I was a kid.”
“So did I, but I don’t sound like her.”
Rosie struck an elegant pose. “I
think I’ll be Elizabeth Bennet. She’s
so cool.”
“Who’s your Darcy, then? Jack
Newton?” She named a ridiculously
good-looking friend of the twins from school.
“Bleah, no thanks! He’s completely up himself. Anyway, I’m going to wait till I get to
uni. Joe’s told me all about what
happens in Freshers’ Week. God, is that
the time? I told Indy I’d be round at
seven. Bye, Mum!” And with almost as much haste as her brothers
earlier, Rosie grabbed her bag and shot out of the house, banging the door
behind her.
Suddenly, the house seemed utterly bereft of life. Jenna sat down at the kitchen table and
wondered at herself. Surely she had been
looking forward to the peace and quiet when the children left home. But if this oppressive vacuum, this absence,
was anything to go by, she’d go mad before the end of the first week without
them. And suddenly it was all so close –
the twins off to Australia on Wednesday, Rosie to her own old alma mater, the
University of East Anglia, ten days later.
She had to do something constructive.
A job – though they weren’t so easy to come by, she suspected, for
someone who hadn’t worked for years – or volunteering, though that conjured up
a picture of worthy ladies in twinsets, very like her mother, ‘helping out’ at
the day centre or at the Oxfam shop, or showing tourists round the
cathedral. She was only – only! – forty
seven. Plenty of working life in her
yet.
Or she could concentrate on researching the casket. It had been a good idea of Rosie’s, to start
in the present day and work back. She
thought of the box of paperwork that she had brought back from her grandmother’s
flat last weekend. It would probably
contain May’s birth certificate: she could start there. In fact, she could start now.
As she got up, the phone rang. She
went into the hall to pick it up. “Hi!”
“Jen. You’re in. I tried earlier but no-one answered.”
It was Rick, and although he was in New York, his voice sounded as loud and
clear as if he was ringing from his office.
She smiled. “How are things
going? What time’s your plane on
Sunday?”
“That’s why I’m ringing. I can’t
make it. It’s taking much longer here to
sew up the deal, and I can’t leave yet.
I’m hoping I can get it all sorted by Friday at the latest, Thursday if
I’m lucky.”
Jenna stared unseeing at the picture hanging on the wall by the front
door. It depicted an untidy sofa strewn
with books, knitting, sewing and a comfortable cat or two, below the legend ‘DULL
WOMEN HAVE IMMACULATE HOUSES’. “Friday?”
she said, her heart thumping suddenly.
“But that’s a week away. The boys
are going on Wednesday. You’ll miss
them.”
“I know, I’m sorry, but it can’t be helped.”
His tone was off-hand rather than apologetic, and Jenna felt suddenly
angry. “Are you sure about that?”
“What do you mean?” He sounded
wary now.
“Are you sure you couldn’t have tried a bit harder to be back when you
said? You might not see the boys again
for months, maybe even a year or more.
You’ve been so busy, you’ve hardly seen them at all since they got back
from uni.”
“I don’t suppose they mind that too much.
I’m sure they think I’m some old fossil out of the ark, with nothing
relevant to say.”
This was a little bit near the bone, but Jenna ignored it. “Please, can’t you manage to wrap everything
up by Tuesday? It would be so nice if
you could make it back in time.”
“I really don’t think that’ll be possible.”
There was finality in his voice, and something else – guilt, she
hoped. “You did promise,” she said at
last. “And I know it’s not the end of
the world – “
“You’re right, it’s not.” He
sounded irritated now. “They won’t even
notice I’m not there. And there’s
nothing I can do to hurry things along here, so that’s that, I’m afraid.”
“It’s a shame,” she said, trying to sound calm and reasonable, but inside
she was seething. For Christ’s sake, can’t you even be bothered to come home and see your
sons off on their trip of a lifetime?
What’s so important about work anyway?
You earn shedloads of cash, surely you can afford to take a bit of time
off for your family.
“Well, it can’t be helped. Come
on, Jen, it’s not like you to make a fuss.”
Just for once, she was tempted to make a fuss, to shout and scream at him
down the phone, to take him to task for – what?
Something that, apparently, couldn’t be helped. She was being unfair. And he was right, his presence wasn’t
necessary. The twins were all packed and
ready to go, the working holiday visas obtained, the passports and tickets
sorted, and two huge bulging rucksacks taking up most of the room in the larger
of the two front bedrooms, which they’d shared since returning from Bristol. All she had to do was drive them to Heathrow
and wave them through into the departure lounge, with promises to keep in touch
by phone and Skype and Facebook that probably would be fulfilled on a very
irregular basis. She didn’t need Rick at
all – but she had very much wanted him to be there, because it was the last time they’d all be together as a happy family for at least a year.
“Ok,” she said briskly. “Fine. Just let me know when your plane is, and I
can come and pick you up.”
“I’ve no idea yet, but I’ll call you.
Or text you. Gotta go, Jen, bye.”
She was left listening to the dial tone.
And he hadn’t even had given her the time to tell him about the
casket. Feeling angry, and annoyed at
herself for feeling angry, she replaced the receiver and went back into the
kitchen. There was nothing a nice big
glass of pinot grigio wouldn’t sort, and her birthday DVD of Mama Mia might be
mindless pap, but it was hugely enjoyable mindless pap, and she could sip her
wine and imagine herself on some sunlit Greek island, with Colin Firth, Pierce
Brosnan and that Scandinavian bloke whose name she could never remember, all
vying for her hand.
There were worse things, all in all.
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